Marcel Winatschek

Want to Come Down With Me?

Want to Come Down With Me?

Sometimes I refuse to consume media that has become too popular. Whether films, shows, or video games, once the hype train really gathers speed and it feels as if the entire planet is trying to convince me that I have to watch, listen to, or simply experience this thing because it’s the finest achievement humanity has produced in its more than 300,000-year history, I react almost reflexively with a defense mechanism that looks suspiciously like an allergy. I tense up, dig in my heels, and avoid it on principle. Familiar examples are Squid Game, The Weeknd, and Balatro, whose emotional impact on my life falls somewhere between militant indifference and a burning, slightly irrational hatred that I can’t quite justify even to myself.

Yet I have decided to change this attitude. Exercising healthy agency by refusing to chase every, mostly artificially stoked, trend is admirable, and I still value that instinct. But when I renounce every recommendation, even those from close friends, and retreat into obscure niches, I insulate myself bit by bit from the mainstream and thus from the shared experiences of an entire generation, depriving myself of any chance to feel genuine empathy for others. I stop speaking the same cultural language. Following this new logic, I recently watched Bong Joon Ho’s Parasite, approaching it with open curiosity, and trying to meet the work on its own terms rather than through resentment. That was my small but deliberate experiment in loosening my stubborn grip.

In the film, the Kim family has hit rock bottom. Father, mother, son, and daughter live in a dim semi-basement and will take any odd job. Only when the youngest gets hired as a tutor in the ultra-chic villa of the Park family do the Kims board the carousel of class conflict. With clever schemes, talent, and teamwork, they push out the Parks’ employees one by one. Before long, the Kims are indispensable to their new employers. Then an unforeseen incident sets off a chain of events as unpredictable as it is unbelievable. I found Parasite as brilliant, surprising, and surreal as everyone said. I’m glad this positive experience is my first step back toward a renewed love of pop culture.