King of the Monsters
There are certain Japanese subcultures to which, to date, I’ve never really found an entry point. Among them are animated VTubers, masked superheroes à la Kamen Rider, and kaiju - giant monsters that, at regular intervals, stomp Tokyo flat. Well-known examples include Rodan, Mothra, King Ghidorah, Gamera, and of course the universally beloved Godzilla, brought to life by Ishiro Honda. I did see Roland Emmerich’s American version in theaters in the late ’90s, yet the destructive spectacle didn’t leave much of an impression on me whatsoever. And that’s strange, because I generally adore it when the world is reduced to rubble in the media I consume. Somehow, though, this particular behemoth and his city-crushing antics never quite worked their way under my skin.
The basic idea for Godzilla came from producer Tomoyuki Tanaka. The inspiration is said to have been the incident of a Japanese fishing boat that strayed into the fallout zone of an American nuclear weapons test. The first film, from 1954, in its original Japanese version is not only technically impressive in its effects, it is also a thoughtfully constructed work in terms of plot and drama, one that can be read as an allegory for Japan’s trauma after the atomic bombings of Hiroshima and Nagasaki, or as a direct reaction to the nuclear mishap that struck the small fishing boat. Since then, and with a nod to King Kong, Godzilla has run amok and spread fear and terror - most often in Japan’s major cities.
To develop feelings for the skyscraper-tall and perhaps even misunderstood reptile, I recently watched the newest, critic-lauded installment in the film saga, Takashi Yamazaki’s Godzilla Minus One. There, a kamikaze pilot tormented by survivor’s guilt seeks redemption when a giant monster he failed to kill is transformed by radiation from atomic bomb tests and lays siege to postwar Japan. It’s about honor, guilt, love, grief, friendship, responsibility - and, naturally, many demolished properties. Unfortunately, I was as whelmed by this Godzilla outing as I once was by Roland Emmerich’s attempt to bring the creature to New York. Maybe I simply don’t fear irradiated monsters, no matter how loudly they roar. Godzilla and I, despite its cultural relevance, will probably never be friends. What a pity.