Marcel Winatschek

20 Nights in Tokyo

20 Nights in Tokyo

I’ve decided to use Japan as the thematic foundation for my upcoming bachelor’s thesis in design. How exactly I want to approach this is still somewhat uncertain. At first, I intended to shoot a documentary about the colorful underground cultures in the Land of the Rising Sun. Cultures permeated by depression, anxiety about the future, and a kind of resentment toward society by their followers. I wanted to cover everything from eccentric horror manga and underage idol groups to rape porn that only narrowly falls under artistic freedom, and speak with pop-culture experts about whether Japan’s aging population might eventually cause these scenes to die out. However, this plan ultimately struck me as somewhat too overambitious. I should probably be a little more modest.

Then I remembered that my professors at the Japanese university where I studied had always encouraged me to use my projects to explore stories drawn from my own life, my own feelings, and my own experiences. Because it gives an intention much more soul. At the very least, I know that I want to address Japan and my time here in my bachelor’s thesis. And I want to take this chance to connect the project with my love for Tokyo. For when I close my eyes and think of Japan, I see not only the brightly lit streets of Shinjuku, Shibuya, and Akihabara, plastered with neon signs, but also the countless secrets hidden within them – secrets waiting to be uncovered and told.

Since I now at least understand that I want to portray Tokyo at night in film for my thesis, I will spend the next three weeks in Japan’s capital, preferably venturing out after sunset to wander through temples, parks, and towering buildings in search of my own story that I want to bring to life by film. For this purpose, I have booked a bed at a quite cheap capsule hotel in the Sumida district and will dive into the always loudly pulsing metropolis from there. What exactly will come out of all this, I still don’t know. But sometimes I simply have to throw all my previous plans overboard and take a courageous leap of faith in order to transform adventures into stories.